Elizabethen Fashain Essay Research Paper Elizabethan Fashion

Elizabethen Fashain Essay, Research Paper Elizabethan Fashion The Elizabethan Era was a time that reflect the mood and values of the 16th century though the use of fashion. It was a period in which a lot of originality and creativity was evident was used to create new styles of dress (Black & Garland 16). The Fashion in Elizabethan England at this time reflected the values and Ideals of the era. It was an Era that based everything on the Great Chain Of Being; which was a concept that everyone had a position in the social standings of society that was given to him or her by God (Leed 1). The citizens in England during the 16th century had their ordered stations in life, and their clothing reflected who they were in society. Society was broken up into three major categories; peasants, middle class and nobles. If your clothing reflected the status of a different class then yours, you would be fined under Sumptuary Laws (Leed 1). Elizabethan Society was a society very different from today, but like today, the fashion reflected the mood and influences on society. The Fashion that was displayed in Elizabethan England was shaped by the impacts of Queen Elizabeth, the Spanish influence, Christopher Columbus, their desires for youth and beauty, and the strict social order. With these five influences the difference of the style of clothing worn in upper and lower class society stood out. The wealthy were able to afford the luxurious items the new founding in the world brought with it. The foreign look was the look that society wanted to achieve during the Elizabethan era, for it reflected the values of Queen Elizabeth, who happened to be the ideal women of the era. Things that are not controllable sometimes have an influence on society that is not expected. One effect that should have been expected was that Queen Elizabeth would have an impacted on the society that she gave her name to. The one thing that wasn’t expected however was the extent to which Queen Elizabeth would influence fashion. Queen Elizabeth was passionate about fashion and she spread her love for it through out the kingdom. One of Queen Elizabeth’s talents was her ability to use any situation to her political advantage (Boucher 17). She wanted to be seen as a person with power and capability and she thought rich cloths would help obtain that opinion. The rich fabrics and jewels displayed incredible wealth, power and prestige (Leed 1). Wealth and power were not the only thing Queen Elizabeth achieved with her wardrobe. She had a great fondness for foreign dress and this had an incredible impact on English fashion of the times. England admired Queen Elizabeth’s style and tried to imitate it to their ability. She set the stance for what fashion should be, and most upper class women followed her lead. This gave Queen Elizabeth the ability to create a piece of fashion that would always be associated with her era. The Spanish farthingale belonged to Katherine of Aragon, even though it was predominantly scene through out the 16th century, but the Ruff belonged to her (Contini 130). She made them a masterpiece of the own making them higher and larger. She had the technological advances she needed in order to give her era the credit it desired for the advances she made in fashion. England became the country know for its lace making, and the invention of starch helped her achieve great height on her ruffs. By the time of Queen Elizabeth’s death, the look of fashion had changes entirely. The Tudor style had disappeared and the International look had arrived. Queen Elizabeth paid great attention to detail in every item she wore. She consulted many designers and sent patterns all over Europe in order to have outfits that reflected the whole of Europe and gave her an incredible sense of power. Queen Elizabeth started the fixation with foreign items. She had a great effect on Elizabethan England, for not only was the style of fashion named after her, but she also set the presence for what the rest of the society wanted. She was the center of attention and everyone wanted to be like her to their capability, for she knew fashion, and how to extenuate it with foreign items, and jewels. Exploration is a powerful thing. The fashion of the 16th century reflected the great interest in travel and exploration as a result of Christopher Columbus and his sailing the ocean blue. It was an era that dedicated itself to the search of new markets and raw materials, with the goal of new exotic modes of dress in mind (Tortora & Eubank 126). Christopher Columbus’s founding’s left the world curious, especially England. England had a new interest in finding new materials and methods that they never desired before. If an item was new, it was valuable and wanted by many. Through the 16th century, Spanish fashion was individualized and people liked that. The drastic spread of Spanish costume through Europe came from the prestige the Spaniards gained from the discoveries of Christopher Columbus who, although did not find an immediate sea route to transport silk, recognized the immerse flow of precious metals from the Americans to Spain (Boucher 131). This gave Elizabethans a sense of pride that they could be different but still fashionable. This is why England was infatuated with it. But nonetheless the Spanish style was not a style of its own. It had gone through many influences itself. It had taken traits form other countries like Germany France and Italy and combined it together to make a style that everybody wanted. Spain had incorporated haberdashery from Venice and Germany, Gems and combs from France, fine linen form Flanders, and velvet or Milanese gold thread form Italy (Leed 3). They had taken every countries style and created the ideal foreign style that was greatly desired at this time as a result of Christopher Columbus. This style appealed to Queen Elizabeth and therefore the rest of the Elizabethan society wanted it. Because of the cost of importing, the foreign style was a style that belonged to the wealthy in England and it help determines the upper nobles from just the nobles. The desire to fit an ideal is a desire that is present in all societies and in all eras. Everyone wants to be the perfect image of the time and in the Elizabethan era they helped achieve that ideal through the means of serious make-up. The ideal of the era was to be pale skin, with scarlet coloured lips and checks, with fair hair (Leed 1). All these ideals could be achieved with the use of pigments but pigmenting was very expensive. The wealthy enjoyed the fact that they were the only ones in their society who could spare the time and afford the procedures it took to fit the ideal, and this was on purpose. The ideal Elizabethan should not only be pretty but she should be respected and rich and that should only be obtainable by the wealthy, for if everyone could achieve it, the drastic separation between the upper and lower classes would be loss and once everyone can reach the ideal the ideal changes. This desire to be young and beautiful effected Elizabethan fashion drastically. For the desire to be the ideal was also expressed through what they wore. For the ideal women in society wore cloths that decreased her size and made her the spitting image of beauty. Societies standings in Elizabethan times were directly related to wealth. Members who where included in the upper class society were able to display their flare for fashion as well as wealth through the use of accessories, jewelry, the decoration of their cloths and most importantly the styles of clothing they wore. With the new founding’s of the time the wealthy was able to extenuate their flare through beautiful embroidery, new materials and the application of jewels. They began to use more and more elaborate patterns that had been seen in other places in the world. This separated the upper class from not only the lower class, but also the middle class, for all the new discoveries of the world were extremely expensive. The upper class was able to afford new fabrics like raw silk, Satin, new weaves of linen, and fabrics with different pigmenting. They took their old patterns and turned them into masterpieces, adding pearls, gems and lace to them. The nobles had class and it was displayed through what they wore. They were able to reflect the ideal image of Elizabethan society through what they wore. Fashion reflects the mood of an era, and during the 16th century it did exactly that. It reflected the strict social order that took place in England, which created superiority among the upper class. Fashion was intended to please the senses, the sense of sight by colour and pattern, the sense of tough by the d?cor of the fabric, and the combination of different textures and materials, and the sense of smell by perfume (Boucher 16). Elizabethan Fashion did please the senses, for the attention to detail was so great that touching an outfit could cure many senses, and maybe even the soul. Outfits where designed especially for each person, taking in to consider his or her history and desires. They made the outfits with care, making them a part of the person who they belong to. An outfit could capture many desires and memories, through the use of scenting, attaching jewels and embroidering. Fashion is a way in which people express their feelings and moods. But fashion can also reflect what wants to be seen and the ideals and values of a society. Fashion reflected these ideals and values through the use of foreign fabrics, accessories, decoration and serious make-up as the result of Christopher Columbus, and Queen Elizabeth I influence. During the 16th century, Fashion made the upper class, for your wealth was determined by what you could afford to wear. It was a time much different from today, but still, the Elizabethan society expressed many ascetic desires that were captured so well through the use of fashion. Work Cited 1. Black, Anderson J., and Garland, Madge. A History of Fashion. New York: Wiliam Morrow and Company Inc., 1975. 2. Boucher, Francois. 20,000 years of Fashion. New York: Harry N. Abrams Inc. Publishers, 1987. 3. Contini, Mila. Fashion- From Ancient Egypt to the Present Day. New York: The Odyssey Press, 1965. 4. Eubank, Kieth., and Tortora, Phyllis. 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